She adds nothing to her part and is especially painful to watch during her emotionless and even smart alecky rape. She is completely over-the-top and not once convincing. But turning Kika into a drama would involve a few changes, especially Verónica Forqué as Kika. It's like trying to turn Schindler's List into a sitcom. All the elements are there, it's just in the completely wrong genre. The most frustrating part about the film is that Almodóvar could have made this into a powerful drama, as he did with Talk to Her and Bad Education. And with such despicable characters, it is nearly impossible to find anyone, or anything, to laugh at.
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The rape is called in by a peeping-tom across the street and an investigation ensues to find out who was involved, or rather who wasn't involved. Against his sister's pleas, he rapes Kika for what seems like hours. The fugitive plans to pilfer a few cameras from the apartment until he discovers the sleeping Kika. Years later, Juana's brother escapes from prison and tracks her down to the apartment at which she works. His destructive path soon leads him to jail. Being the great sister that she is, she started having sex with him so that he could "let off some steam" instead of pursuing his new hobby. She has an insane brother who, as an adolescent, had sex with all sorts of animals but then moved on to raping the neighborhood girls. The witness to everything is Ramón's lesbian housemaid, Juana. Eventually, Kika decides to make it a family affair by secretly having sex with Nicholas, Ramón's womanizing stepfather. Kika and Ramón soon begin dating and she moves in with him. One day while Ramón is presumed dead, a young woman named Kika is sent to apply makeup to his corpse, only to witness his miraculous revival. Three years later, the stepfather and son move in together. I will be the enthusiastic screenwriter pitching my story to you, the money-hungry studio executive half-heartedly listening to my idea for the next screwball comedy: OK, so Ramón is a young man whose mother commits suicide for reasons that may or may not point to her unhappy marriage with Ramón's stepfather, Nicholas. To prove my point, let's do a little role playing. But with the direction it chose, trying to be a dark (pitch dark) comedy, the subject matter is too tasteless to work. If the film took itself seriously there would be much more to work with.
#Keka movie full
That is where Kika fails: It is full of content but lacking delivery. With a reputation for pushing the limits, Almodóvar is usually successful in delivering even the most perverse films in a tasteful manner. He has a stunning catalog of films and is somewhat of a hero of the art's counter-culture. I am only so relentless because Almodóvar is one of the greatest Spanish filmmakers of our time. In any other remotely similar situation, this is not the place to start. If you have heard of Almodóvar's reputation but have never seen his films, this is not the place to start. If you are not familiar with Almodóvar's work, this is not the place to start. If you are familiar with Almodóvar's work, it will be much easier for you to both grasp and handle this film. You're probably wondering why I would be driving you away from a film that sounds so engaging. But while its tangled web of intertwining characters and story lines is compelling enough not to lose interest, the manner through which it maintains that interest does not prove to be worth the entertainment. A twisted tale of murder, rape, incest and just about every other adjective describing a vulgar or sinful act, Kika is at times hard to watch but usually even harder to turn away from. Such is the opening sequence of Almodóvar's 10th full-length feature, Kika. When Pedro Almodóvar begins a film in such a voyeuristic fashion, everything seems right in the world. When a film begins with a keyhole bordered image of a woman undressing, sufficient precautions should be taken.
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